Methodology

Fixedness

Published date: August 18, 2022 в 1:36 pm

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Category: Innovation,Methodology

“We shape our tools and thereafter our tools shape us.”

Marshall McLuhan

The most challenging aspect about innovating is rooted in a concept called fixedness. Fixedness is the inability to realize that something known to have a particular use may also be used to perform other functions. When one is faced with a new problem, fixedness blocks one’s ability to use old tools in novel ways. Psychologist Karl Duncker coined the term functional fixedness for describing the difficulties in visual perception and problem solving that arise when one element of a whole situation has a (fixed) function which has to be changed for making the correct perception or for finding solutions. In his famous “candle problem” the situation was defined by the objects: a box of candles, a box of thumb-tacks and a book of matches. The task was to fix the candles on the wall without any additional elements. The difficulty of this problem arises from the functional fixedness of the candle box. It is a container in the problem situation but must be used as a shelf in the solution situation.

Roni Horiwitz of S.I.T. puts it this way:  “It’s almost impossible for the human brain to produce a really fresh and unique thought. Every thought, opinion or idea is somehow connected to previous concepts stored in the brain.”  Because of this, we are often unable to see the solution to a problem although it stares us in the face. We are too connected to what we knew previously. We not only can’t let it go, but we try very hard to anchor around it to explain what is going on.

Fixedness is insidious. It affects how we think about and see virtually every part of our lives. At work, we have fixedness about our products and services, out customers and competitors, and our future opportunities. The most damaging form of fixedness is when we are stuck on our current business model. We cannot see past what is working today. We stop challenging our assumptions. We continue to believe what was once true is still true. In the end, it is this perpetual blind spot that is most dangerous to our innovation potential.

Customers have fixedness, too. Customers have a limited view of the future, they have well-entrenched notions of how the world works, and they suffer from the same blind spot we do. Yet we continue to seek the “Voice of the Customer” as though a divine intervention will break through this fixedness so they can offer new ideas.

Fortunately, there is a way to address it. The way to break fixedness is to use structured innovation tools and principles that make you see problems and opportunities in new ways. Remember the classic Will Rogers quote:

It’s not what you don’t know that will get you. It’s what you know that ain’t so.”

Or was it Mark Twain?

Innovation is a Skill, Not a Gift

Published date: July 28, 2022 в 12:39 pm

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Category: Innovation,Methodology,Strategy

Companies want innovation more than anything as a way to drive true organic growth. Yet leaders often feel frustrated in their ability to bring successful innovation to their organizations. When I speak to executives, I hear this frustration, and I hear a list of reasons or excuses why innovation is so difficult. That list includes: lack of resources, lack of time, company culture, and lack of process of innovation. Many executives feel innovation is unpredictable and therefore too risky to invest in, even if they had the resources.

Innovation does not have to be unpredictable. A method called Systematic Inventive Thinking is a set of tools used in a facilitated environment to generate predictable, progressive ideas. This innovation process uses templates to help regulate individual thinking and channel the ideation process in a structured way that overcomes the randomness of brainstorming. Briefly, the method works by taking a product, concept, situation, service, process, or other construct, and breaking it into its component parts or attributes. The templates manipulate the components or variables to create new to the world constructs that the inventor of less than find a valuable use. This notion of taking the solution and finding a problem that can solve is called function follows form, and it is at the heart of the systematic inventive thinking method. This method of innovation can be used across a wide range of business issues. For example, it can be used to create new products, new services, or new processes. It can also be used to create new strategy including both corporate and marketing strategy. It can be used to create new organizational designs. You can also be used to create new marketing communications or launch tactics.

Innovation should be viewed as a skill, not as a gift reserved only for special or uniquely-talented people. Innovation can be learned as with any other business skill such as finance, process excellence, or leadership. By embracing a method like systematic inventive thinking, companies have a clear pathway to bring innovation to their firms to drive growth.

It looks like Seinfeld is an Attribute Dependency pro

Published date: June 29, 2022 в 5:20 pm

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Category: Innovation,Methodology

Do you know this feeling, when you learn something new, and you suddenly recognize it around you everywhere?

We recently wrote here about how one can break “Relational Fixedness” using the thinking tool called Attribute Dependency. In the opening of the article, we used the following quote from the episode “The Chinese Restaurant” of the “Seinfeld” series, in which Elaine had a brilliant idea as to re-ordering the queue to the restaurant:

“You know, it’s not fair that people are seated first come – first serve. It should be based on who’s hungriest”

https://www.youtube.com/watch?v=nn9EYWG_fOI

Attribute Dependency, as explained, is about modifying existing relations (or dependencies) between the characteristics of a given system, product, or situation.

Soon after publishing this article, I discovered that in “The Old Man” episode, Jerry was using the same thinking tool to suggest a new speed limit guideline for elderly people:

“You know, I think old people should be allowed to drive their age. If you’re eighty, do eighty. If you’re a hundred, go a hundred. I mean, they can’t see where they’re going anyway. Let them have a little fun out there.”

Amazing! This suggestion is very similar to the optical retailer campaign mentioned in the previous article, according to which the number of percentage points of a discount is equal to the customer’s age.

I therefore realized that the writers of “Seinfeld” are aware of the creativity inherent in the Attribute Dependency tool. Their show may be about nothing, but they take it very seriously, so, I figured, there must be something to learn from it.

Although their main goal was the creation of comic situations and not necessarily the development of products or services of economic value and applicability – they perfectly demonstrate the power of the AD tool.

For the sake of research, I decided to binge on a few more episodes (or maybe I was just looking for an excuse to do so). Amazingly, I found quite a few additional examples of Attribute Dependency. Here are some of them.

In “The Pony Remark” episode, Jerry and Elaine arrive at a funeral, where they have a short discussion about the parameter that dictates the duration of the ceremony. Jerry expresses a rather surprising view:

Elaine: How long does a funeral take?
Jerry: Depends on how nice the person was. But you gotta figure, even Oswald took forty-five minutes.

And here is what Elaine suggests in “The Strongbox” episode. While talking to a friend, she states that in the case of executions, the last meal cuisine should depend on the method of execution:

Glenn: “You would choose your last meal based on the method of execution? “

Elaine: “Right. If I was getting the chair, I’d go for something hot and spicy. Thai, maybe Mexican. Lethal injection? feels like pasta – painless, don’t want anything too heavy.”

The creators of “Seinfeld” realize that Attribute Dependency can also be applied by disconnecting or eliminating an existing relation, and not just by creating a new one.

Jerry’s opening monologue of “The Jacket” episode is all about the future of clothing. He envisions that the single characteristic that will determine both the color and the shape of our clothes in the future will be the planet we came from.

I think eventually fashion won’t even exist. It won’t. I think eventually we’ll all be wearing the same thing. ’cause anytime I see a movie or a TV show where there’s people from the future of another planet, they’re all wearing the same thing. Somehow, they’ve decided, “This is going to be our outfit. One-piece silver jumpsuit, V-stripe, and boots.” That’s it. We should come up for an outfit for earth. An earth outfit.

https://www.youtube.com/watch?v=ceRsfMaQ4r0

The writers of the series even use this thinking tool to make fun of what people perceive as an existing relation between characteristics.

In “The Note” episode, Jerry grins at the “tell the doctor you know me” recommendation:

“Make sure that you tell him that, you know, you know me.”  Why?  What’s

the difference?  He’s a doctor.  What is it, “Oh, you know Bob!  Okay, I’ll give

you the real medicine.  Everybody else, I’m giving Tic-Tacs.”

Last (but not least funny) example uses some bad language but perfectly illustrates one cognitive advantage of creating a surprising new relationship between two characteristics of a system.

In “The Parking Garage” episode, Jerry humorously suggests replacing the numbers and colors of each floor in the parking garage of shopping malls with names that will allow them to be better remembered:

See, the problem with the mall garage, is that everything looks the same. They try to differentiate it. They put up different colors, different numbers, different letters. What they need to do is name the levels, like, “Your mother’s a whore.” You know what I mean? You would remember that. You would go, “I know. I remember, I’m parked in ‘My father’s an abusive alcoholic.’ I know where I’m parked.”

No doubt, innovating by using Attribute Dependency can be a lot of fun! Feel free to share with us your funny examples of applying this technique – surely some of them will not only be funny, but also valuable and applicable.

USING DESIGN THINKING? 5 PITFALLS AND HOW TO AVOID THEM

Published date: May 12, 2022 в 4:26 pm

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Category: Innovation,Methodology

Most versions of DT have these components:

1) Empathize     2) Define      3) Ideate      4) Prototype      5) Test

A key benefit of DT is that it is a full process. Embrace it to structure some innovation activities, BUT beware, while parts of the process are highly conducive to innovation, others are useless or even harmful. These are 5 major pitfalls, and the corresponding advice on how to avoid them:

1)     WARNING: The crucial flaw of DT is in stage 3 – Ideation. You are required to create ideas, based on insights and observations, which you then proceed to prototype and test. But HOW do you come up with these ideas? DT doesn’t provide any tools beyond variants of Brainstorming, which do not work.

1)     TO DO: Embed a structured method for breaking fixedness for stage 3. (We obviously recommend our method – SIT – but others can serve as well, provided that they are not BS variants).

 

2)     WARNING: DT assumes that you first conduct ethnography and insight-hunting and relegates the “creative bits” to the next phase. Mistake! If you search for insights without first breaking fixedness you are searching with blinders and will rarely find novelty.

2)     TO DO: Combine ethnography with tools for challenging assumptions. You’ll be surprised at the results.

 

3)     WARNING: DT assumes that creativity and ideas are needed only until the end of stage 3. In reality, even more creativity is needed in adapting your ideas to reality, overcoming emerging challenges and selling your ideas internally (stages 4-5 and beyond).

3)     TO DO: Build in problem-solving sessions and fixedness breaking exercises into prototyping and testing.

 

4)     WARNING: Designers do great stuff and have a cool job. But it’s their job. Not yours. What sense does it make to try to think “like a designer” if you’re not one? Doctors save lives, farmers grow food – lots of professions do useful stuff, but what has that got to do with your task as innovators?

4)     TO DO: Don’t try to emulate designers. Stick to your professional knowledge and use robust techniques for challenging your concepts and breaking your fixed ways of seeing. Use methods that work, not stuff that’s “cool”.

 

5)     WARNING: “Having fun” is a distraction. It’s cotton candy. Innovation requires challenging one’s thinking. When done properly – it’s painful.

5)     TO DO: People can and should enjoy innovation sessions, as you enjoy a tough workout in a gym, or a 5-mile run. Spend minimum time and efforts on getting people to have fun, just enough so they are motivated to collaborate until deeper satisfaction emerges from feeling the results of one’s hard work.

In sum: DT has powerful features and serious bugs. Pick carefully from the former while avoiding the latter.

More on Design Thinking: https://www.linkedin.com/feed/update/urn:li:ugcPost:6777325214293405696?updateEntityUrn=urn%3Ali%3Afs_updateV2%3A%28urn%3Ali%3AugcPost%3A6777325214293405696%2CFEED_DETAIL%2CEMPTY%2CDEFAULT%2Cfalse%29

31 Chances to Make a Discovery

Published date: March 2, 2022 в 8:03 pm

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Category: Innovation,Methodology

What if you had a huge discovery in front of you but missed it?

Imagine the world today if Fleming would have glanced at the mold on a culture plate, said “Gross!”, and thrown it away. Or if Spencer took the melted candy bar from his pocket after standing in front of an active radar set, and thought to himself – darn, every time I work on this project I lose my snack!  And went to the vending machine for pretzels or chips instead.

History is full of inventions triggered by “lucky” accidents. Post-it® notes, chocolate chip cookies, X-rays, Teflon – the width and breadth of these discoveries demonstrate that stumbling upon these opportunities could happen to anyone, but the key really is in their recognition. It’s been said that Spencer wasn’t the first to notice the heating phenomenon, but that he was the first to investigate and experiment.

Accidental inventions share a common storyline: First, a bizarre, unexpected situation is imposed. This is followed by “What the heck?” or “What am I supposed to do with this?”. Then, there’s an Aha moment where a new functionality is found.

In innovation terminologies, this sequence is coined ‘Function Follows Form’

Ten-second historical overview: In the late 19th and early 20th century the architectural Bauhaus movement gained popularity for its Form Follows Function design approach – first understand the desired function and then create the form to deliver it.

Then, in the early ’90s, a group of psychologists[1] made an interesting discovery. When it comes to creating, people are innately better at uncovering the potential benefits of a given form rather than creating a new form to satisfy a given need. Meaning, it’s easier for us to come up with a new use for something that we already see, whereas we struggle to imagine a totally new design. This discovery spurred a reverse thinking approach: Function Follows Form. This approach encourages us to first create a virtual situation (form) and then explore its potential benefits (function).

In all honesty, unlike Fleming, I would have chucked that culture plate. Or distractedly looked at my phone while salvaging my melted candy bar. Let’s be honest, things go haywire all the time. But the point is when they do – how do we respond? Do we shelf things or do we take a second look to assess its potential value (perhaps different than originally intended, but value nonetheless)?

I invite you to join the FFF March Challenge (FFFMC). For each day of the month, there is a bizarre form on which to practice finding value and turn it into a real invention. By adopting FFF as an innovation mindset we can have our minds trained not to brush an opportunity off our lap when it falls in it.

[1] Finke, R.A., Ward, T.B., Smith, S.M. (1992). Creative cognition: Theory, research, and applications. Cambridge, MA: MIT Press

Green Eggs, Viagra, Constraints and Creativity

Published date: February 17, 2022 в 3:30 pm

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Category: Innovation,Methodology

There is little argument that Dr. Seuss is one of the world’s most popular and loved writers. His name is associated with imagination, creativity, talent and originality – and on a personal note – he is one of my favorite writers as well.

In 1954, after reading an article about the shortcomings of books used to teach reading to first-graders, Dr. Seuss was challenged by his friend, William Ellsworth Spaulding, to write a book that first graders “can’t put down”. But there was one additional constraint – he was to write that book using no more than 225 words out of a designated list of 348 words that every first grader should know. Dr. Seuss ended up using 236 words, of which 221 are monosyllabic (!!), to write The Cat in The Hat – a book that has been one of the most successful children’s book ever since.

As if that was not enough, Dr. Seuss’s publisher bet him that he would not be able to write another book using as little as 50 different words. As impossible as that may sound, Dr. Seuss not only won the bet – he did so with a bang. In August 1960 he published Green Eggs and Ham – the book that would become his most successful, and the 4th best-selling English-language children’s hardcover book of all time!

So what’s going on here? How did the unreasonable constraint of writing a book using only 50 different words become the catalyst for one of the world’s most successful and admired books? After all, when we try to be creative we usually go through considerable trouble to break the constraints that limit us, and certainly do not choose to embrace new constraints. Can the explanation simply be the extraordinary talent of Dr. Seuss, or is there something else at play that could be relevant to mere mortals like you and me?

Before we try to answer this question, please take a look at these Viagra TV commercials:

http://www.youtube.com/watch?v=cMhv_wCx5ug

http://www.youtube.com/watch?v=7o8_JjiLpw0

In both these commercials, and for fairly obvious reasons, the advertisers had to avoid describing in detail what their product does, or enables… This constraint is not unique to these specific commercials. What makes them unique, though, is the way the advertisers chose to deal with that constraint.

In many similar cases advertisers have tried to bypass this constraint in various ways, such as portraying men in “the morning after”, filled with energy and joy. But in the examples we just saw there was something very different. They do not contain an attempt to avoid the constraint – quite the contrary. If you think about it, what the advertisers did in both cases is to use the constraint – and in a central and conspicuous manner!

And look at the results: two commercials that are based on a unique element, and are therefore interesting, distinct and memorable; dialogues in which the use of “censorship” leads us to imagine the exact same things you just cannot show on primetime television; a central role for the product itself, as an integral part of the commercial; and last, but not least, a Cannes award for the campaign. All in all not too bad for an idea that was paradoxically inspired by the inability to do what initially seems to be so essential (yes, you can read this sentence again…)

It is interesting to compare this campaign with another Viagra campaign that also uses the same constraint in an unusual manner. Take a look:

http://www.youtube.com/watch?v=ExQKZKnk6rA

In this amusing commercial (that is even funnier the second time you see it) we witness a different way to address the constraint. Here, too, the advertisers are not running away from the campaign using something like “the morning after” approach. Rather, they are facing it head on by replacing the medium which is the object of the constraint – the language itself. The advertisers decided to go ahead and do exactly what they intended to do originally – constraint or no constraint. This “stubbornness” forced them to explore options and alternatives that would never come up were it not for the constraint.

Let’s summarize what we had so far. We saw a few examples in which we recognize a surprising connection between the presences of significant constraints and the ability to develop original and creative ideas. We can even go further to say that in these examples the creative ideas were not developed despite the relevant constraint, but rather because of it.

Yet with all due respect, the constraints did not do the creative work. That has been done by the individuals that chose to address them not as a force majeure that must be submissively accepted, but rather as raw material for a creative exploration. Not as an “end of story”, but as a starting point for a creative negotiation. And that, my friends, is exactly the insight we can take with us, and the state of mind we can learn to adopt.

Not every constraint, in any situation or creative process, can lead us to the development of an award winning campaign or a successful literary masterpiece; but some might, if we just give them (and ourselves) a chance. The widely accepted notion that constraints harm creativity, in not unreasonable; after all, constraints – by their very nature – limit the options available to us. But if we manage to change the way we view them, we may discover that in many cases they simply stop us from settling for the simple, immediate or generic solutions. And thus, by preventing us from taking the path of least resistance, they force us to explore and consider options we would never reach otherwise.

At any rate, in the complex reality we live in, the submissive approach to constraints is an omnipresent problem. When have you last faced a creative challenge, or a problem that needed a solution, in a constraint-free environment??? Constraints surround us in any task and every challenge, so that the ability to use them as a creative opportunity can come pretty handy in our professional lives (and our private ones, by the way). It does not take a lot of resources or complicated preparations – just a shift in our perspective.

So take a few moments to consider the challenges you are facing today, and ask yourselves what constraints make it difficult for you to face these challenges. Maybe these constraints can serve you in the same way the list of words did Dr. Seuss or the censorship the advertisers of Viagra. In what creative ways can you utilize these constraints? Which ideas can they help you come up with, and why are these better than the ones you came up with so far? It may take more than 20 seconds to find meaningful answers for these questions, but if you give it 20 minutes you might be pretty amazed at what you can come up with…

The original version of this article has been published, in Hebrew, on

http://shivuk.themarker.com

New Dimensions in Cosmetology

Published date: November 11, 2021 в 5:36 pm

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Category: Innovation,Methodology,New Product Development

What do the following products have in common?

  1. diapers with a wetness indicator
  2. sunscreen with adjustable SPF
  3. a mud mask

The answer “family vacation” may come to mind, but we suggest that these three products share a common underlying pattern. Interestingly enough, research has shown that if you examine totally different innovative products on the market, they tend to share common patterns. And surprisingly, the majority of new and inventive products fall into only five patterns.

However, categorizing innovative products is not enough when trying to come up with a new one. What needs to be done is to find a way to follow these patterns, preferably in a conscious methodical way.

SIT (Systematic Inventive Thinking), is the name both of a company and of a method it developed based on these very patterns. The patterns have been transformed into five “thinking tools” that are applied in a structured process leading to innovative ideas for new products. The method is applied to help organizations and individuals become more innovative, by using these patterns in a systematic process applicable to people’s daily tasks.

This article focuses on patterns evident in the cosmetics industry. A description of the application of these patterns and tools in the field of chemistry can be found in the Journal of Business Chemistry.

Let’s look at the examples presented at the beginning of the article.

Ahava Dead Sea Laboratories worked with the SIT company and method for over two years. Many of Ahava’s recent patent registrations have the imprint of SIT tools resulting from working together.

During a workshop, one of the five SIT tools, Attribute Dependency, was applied. This tool involves the creation of new relationships between the different variables of a product or its immediate environment. Innovative ideas are generated through creating new dependencies, or alternatively, modifying or dissolving existing ones. One of Ahava’s patents, a Purifying Mud Mask, demonstrates this tool. The product is applied as a typical mud mask, yet does not retain that function over time.

The mask undergoes a chemical process that changes it into a “peeling” to remove dead skin. Most 2-in-1 products serve multiple functions at the same time, such as Shampoo and Conditioner in one. The uniqueness of the Purifying Mud Mask is that it provides dual functions but at different times. Since it is physically impossible that the functions of a Mud Mask and a Peeling occur simultaneously, it was the ability to imagine the same product changing its properties over time that allowed the team to come up with this breakthrough idea.

Let us look back at the other examples. By now you may have guessed that diapers with a wetness indicator and sunscreen with adjustable SPF are also examples of Attribute Dependency. How so? The first are training diapers with a wetness indicator embedded in the diaper’s design so that when the diaper gets wet its color fades. This on the one hand encourages the child to “keep” the graphic on the diaper, while on the other hand, keeps the parent abreast of their child’s situation. We can see here that a dependency was created between the level of dampness and color, resulting in raising awareness in a clear, visual manner.

In contrast, the sunscreen with the adjustable SPF actually breaks a dependency. The existing dependency between skin type and level of SPF has usually caused one of two things when dealing with two people with different skin types: they either buy two different bottles or compromise. However, a new sunscreen on the market eliminates this dependency by allowing the selection of different SPF levels with the turn of a dial.

These examples are just a taste of what the SIT method can offer. Why waste time hoping for an opportune moment to land into one of the five categories of innovative products? By using the Attribute Dependency tool, as well as the four other tools in its toolkit, you can assure yourself of the ability to introduce innovative products of your own onto the market.

Reference:

Stern Yoni, Biton Idit, Ma’or Ze’ev. 2006. “Systematically Creating Coincidental Product Evolution: Case Studies of the Application of the Systematic Inventive Thinking ® (SIT) Method in the Chemical Industry.” Journal of Business Chemistry Vol. 3, Issue 1, 13-21.

eduction as a Key to Innovation

Published date: October 24, 2021 в 11:13 am

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Category: Innovation,Methodology

Take a second look, please, at the title of this paper. There seems to be something wrong, something missing – right? A possibility that comes to mind is the letter ‘a’, which would turn the words into the perfectly plausible (although somewhat unpromising) title: Education as a Key to Innovation. This solution is, alas, rather less than perfect, for if the mistake were a missing ‘a’, then there is a second, typographic error at the head of the page – the ‘e’ should have been upper case – a capital ‘E’. This seems to suggest a different set of solutions to the puzzle of the faulty title – the missing letter should be upper case, and situated at the beginning of the odd-looking “eduction”. Three candidates can be identified quite easily, just by scanning the alphabet from Aeduction to Zeduction.

Deduction as a Key to Innovation would be, for me, an intriguing subject, all the more so due to the prevalent view that the ability for deduction resides somehow in the “square” left side of the brain, at the remote end from the supposed seat of creativity and its sister – innovation. The title opening this paragraph would lead, in that case, to a hope for content which, if nothing else, would provide a welcome change from the non-deductive mainstream of innovation fostering. In fact, this article is about a method, SIT (Systematic Inventive Thinking) which uses a rather analytical – although not strictly deductive – approach to the generation of innovation. Specifically, the aim in this article is to describe one of a set of techniques used in SIT. The name of this technique is Reduction.

So it is Reduction as a Key to Innovation that makes most sense as the correct version of the article’s title. Note that this option – the ‘R’ solution, has a further advantage. If Reduction is indeed the subject of this article and the first word in its title, then the supposed error is actually an example of the application of the very subject of the article on its own title. Indeed, as you can see below, it perfectly matches the SIT procedure for applying the Reduction tool to the task of inventing a new product (in our case – a new title for an article). Here is the procedure for applying Reduction to an existing product, to come up with an innovative version of it:

1. a. List the product’s internal components.

  b. Mark those components that seem essential.

2. Remove one or more of the essential components and visualize the resulting “virtual product”.

3. Search for opportunities or benefits that can arise from the “virtual product”.

4. Define the new version(s) of your product, the target market(s) and the new benefits.

5. Adjust each new product according to specific needs.

Note that Amazon and the iPhone are prime (oops) examples of Reduction, as are the older ATM and even contact lenses. In our (more modest) case I started out with the obvious and unexciting “Reduction as a Key to Innovation”, dropped the initial “E” and asked myself what benefits you, the reader, could derive from this truncated title. The result is for you to judge.

What about the third candidate for the solution of the puzzle in the article’s title? We mentioned before that there is, as you might have noticed yourself, a third letter that can function well at the start of the title, making it into the hard-to-pass-by Seduction as a Key to Innovation. Not completely irrelevant, it must be admitted, for if you’ve chosen to read these pages, and gotten this far into them, it would seem that some act of seduction has taken place. Our work in applying SIT to the field of advertising suggests that there is indeed a connection between se- and re-duction, to the extent that leaving out key elements of a communication, such as an advertisement – as is often done in the case of teasers – entices the viewer into an interaction with the ad, which usually leads to higher recognition, involvement and retention of its contents.

 Take the following ad, from a classic campaign created by the fabled Neil French.

 

The text:

“This page is dedicated to those amongst us

who have learned to recognize quality without peering at a label.”

 

For those of you who – like me – haven’t, this is a campaign for Chivas regal whisky.

 

Here is another classic, this time by Ogilvy &Mather Sidney.

 

Shocking to see that this 20-year-old ad could have appeared today, which points to the limited influence of advertising in general, but both ads exhibit several characteristics common to Reduction advertising: 1) curiosity is aroused; 2) there is respect for the viewer, since he or she are trusted to fill in the missing information by themselves; 3) production costs are absolutely minimal, 4) key elements of the commercial seem to be missing, giving the ad a unique feel.

This last characteristic is, of course, the literal meaning of the use of reduction, and is thus common to any application of the tool, whether in advertising, New Product Development, Problem Solving or any other application. Like many creative tools and most SIT tools, reduction helps its users overcome the well known “Functional Fixedness”, by suggesting that some element of the situation can play a role other than its traditional purpose. But reduction goes one step further and liberates thinkers from an arguably deeper preconception which can be called “Existential Fixedness” – the view that things and situations are defined by an inventory of their components. Reduction, then, in some of its versions, challenges not only your view of what things do, but even of what things are. This is the power of reduction, and also the source of the feeling of unease that it often inspires.

 

Reduction, as mentioned, can be applied in virtually any field. Actually, it might be an interesting idea to apply reduction to the structure of an article, say by finishing it with no

 

Historical note: this piece is a slight adaptation to a text written some 20 years ago, for internal purposes, in the days when SIT still used the term “Reduction” for what we now call “Subtraction”. I leave it to the loyal reader to imagine the first paragraphs of an article titled “traction as a Key to Innovation” 😊

 

Bibliographical note: you may want to read more about Subtraction and several additional tools in the article we published years ago in the Harvard Business Review, called “Finding your innovation sweet spot”. It was at my HBR editor’s insistence that we changed the tool’s name from Reduction to Subtraction. He was right(:

Innovation Challenges & How They Can Be Overcome

Published date: October 20, 2021 в 11:33 am

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Category: Innovation,Methodology

Dr. Gadi Segal, a business partner and a good friend, told me once that “the more therapeutic options you have for a disease, the more likely it is that none of them are really effective.” When I make the analogy to the realm of innovation, I hesitate to conclude that none of the innovation methodologies available are really effective… Let’s just agree that the abundance of approaches and techniques is indicative of the magnitude of the innovation challenges.

Learn about the several types of innovation challenges and how to overcome them

Types of Innovation Challenges 

  Some of these innovation challenges have to do with the process of ideation itself, while others with implementation, some are more relevant on an individual level, and others more on the organizational level. For this discussion, we can define one set of barriers that stop us from coming up with the right ideas (ideation / individual) and another set of challenges involved in the attempt to implement these ideas (implementation / organizational).

Fear of Making Mistakes

Think for a minute about the last time you participated in an innovation session. Think about yourself and about your colleagues. What were the barriers you were facing within that session? Did they have to do with fear of criticism? Perhaps they dealt with the insecurity that comes from not knowing how good your ideas are, or how well they will be received. Were these barriers connected to the fact that some of your ideas might have been a little too innovative? Or was it simply a reluctance to take an active a part in such a public discussion?

If you answered “yes” to any of these questions, you were facing some of the most common psychological barriers to innovation. While some of these barriers are relevant in many types of discussions, others are more innovation-specific. Many of these barriers have to do with our common fear of making mistakes – a fear developed and cultivated by mistake-phobic education systems and organizational cultures.

Cognitive Barriers

There are several innovation methodologies that focus on dealing with these fears and barriers. The most familiar of which is Brainstorming. These methodologies employ various rules and principles designed to mitigate these fears.

You will notice that these barriers are relevant to voicing or sharing innovative ideas that we as individuals have already come up with. These barriers are serious, no doubt, but they have little to do with the actual act of coming up with an innovative idea. The barriers relevant to that elusive phase are quite different. They have less to do with our psychology and more to do with our cognitive capacity.

Structural Fixedness

Let’s take the story of the refrigerator as an example. When this product was introduced to the market (early 20th century), it replaced the previously used ice-box. This simple device used blocks of ice that were put in a designated compartment at the top (the actual “ice-box” that gave it its name) of its structure. The products kept in the ice-box were organized so that the ones requiring colder temperatures were placed higher (closer to the ice), and the ones requiring more moderate temperatures were placed lower (farther from the ice). Does this design sound familiar?

For years, we have been bending down to take out our veggies from the bottom drawer of our modern refrigerator, while the freezer door (which most of us use much less) is located much more conveniently at the top of the appliance. When you think about it now it seems strange and irrational.

Why didn’t the refrigerator industry offer us a refrigerator with the freezer at the bottom and the main compartment above it? And why didn’t we, as consumers, ask for such a design? The answer has to do with a cognitive phenomenon called “Structural Fixedness.” Engineers and customers alike have created a strong link between the product and its structure. We have become structurally fixated. That fixedness has survived not only the transition from the ice-box to the refrigerator but also decades of advance in refrigeration technologies that have followed.

Hidden Pitfalls

When we suffer from Structural Fixedness, we do not choose or intend to overlook potential changes in structure. We fail to consider these possibilities and, at the same time, fail to recognize our own failure. That is exactly the problem with structural fixedness and other cognitive barriers to innovation. These sneaky enemies are like stealth bombers – they stop us from coming up with innovative ideas, and we do not even know they are there.

Although we have only discussed innovation challenges briefly, one thing is already clear: If we are to use effective innovation methodologies, they must deal with more than one type of barrier.

Now that you know some of the key innovation challenges one can face, continue to gather insight and read about how to embrace failure.

New Thought for Food

Published date: October 13, 2021 в 12:15 pm

Written by:

Category: Innovation,Methodology,New Product Development,Strategy

The meat analog market in the 1970s was in need of a facelift. At the time, meat analogs were divided into two types of products: soy based and wheat based. The problem was that while meat analog products looked like meat and tended to be healthy, their taste and texture were so unconvincing that eating soy dogs and soy burgers was often likened to chewing on tasteless cardboard. It was a niche market dedicated to “hard-core” vegetarians.

Meanwhile, a young Israeli food technologist, Michael Shemer, was methodically trying to invent “edible” meat analogs. He focused his efforts on three essential attributes: taste, texture, and nutritional value. He experimented for years with wheat and soy proteins and in the early 1980s had a breakthrough when he combined the two vegetable proteins. He quickly evolved his technology into a line of meat analog products and found a home for them at Kibbutz Lohamei HaGeta’ot. Production began in 1985 under the name of Tivall, later to become part of the Nestlé Corp.

The new products met the growing demand from consumers who wanted nutritional, yet tasty meat substitutes suitable to their dynamic, on-the-run lifestyles. Today, Tivall is a world leader in the industry and renowned for its rapid product development and award winning, innovative products. Many of us may know, or may even be, a food technologist whose fate has followed a similar path. For Shemer, however, this was only the beginning of a life-long quest for a more structured approach to inventing new-to-the-world food technologies—a method he later adopted, called Systematic Inventive Thinking®.

Where Ideas Come From

Traditionally, there exist three sources for new product ideas: (1) surveying competitors, (2) identifying needs through market research, and (3) developing new technologies. Surveying competitors, often known as the “safe path,” cannot result in unique or differentiating products, as they largely offer consumers more of the same, just under a different brand name. Furthermore, research shows that these “me-too” products have an 80% chance of failure, which is the same as (or slightly higher than) “new-to-the-market” products. Catering to identified market needs, although crucial for keeping a company competitive in the market, rarely results in true innovations. Research conducted by Goldenberg and Mazursky (1999) validates that customers are a poor source of quality information when it comes to innovation, since most people find it difficult to imagine things that do not yet exist. Although consumers do have latent needs, they are not fully aware of, it is difficult for them to state them explicitly. Moreover, polling a consumer base that is equally available to all players in the market makes it difficult to identify unique needs and create exclusive products that the competition does not yet have in development. The authors concluded that “There is a clear need for an approach that can lead to exclusive discoveries that can take the marketplace by surprise. Such innovative ideas must be captured before the market submits strong signals to its needs, rendering market research methods (for eliciting ideas) less effective.”

Developing a new technology platform can be a strong source leading to proprietary innovations, but it thereby poses a twofold problem: First, it is not a process by which a company can plan its pipeline. When exactly a new technology will be ready for market is a fickle and unreliable phenomenon. Second, creating a completely new technology is often the more-expensive and high-risk option. The only source leading to true innovation—new technology development—must become a process that is more efficient.

New Technology Development

To many, creativity is synonymous with free thinking. It is believed that if only there were no constraints, people could think of the wild, breakthrough ideas for their industry. Yet, studies by Goldenberg et al. (1999) showed that constrained-thinking processes provided superior results to ideas generated by humans thinking without constraints. This idea superiority was apparent for both the creativity and originality evaluations of the ideas. The aura of free thinking for generating innovation nevertheless endures. This is because many constraints truly are stifling for creativity. Thus, it is not enough to say that constraints enhance creativity, rather the proper constraints—those that promote creativity—need to be identified.

 

One of these “creativity-facilitating constraints” is the Closed World principle. This principle posits that the only resources for innovating are those that already exist in the product’s immediate environment (Horowitz and Maimon, 1999). These include the essential elements in the product, including its physical components as well as its variables like color or size. The immediate environment of the product is also inventoried for its components and variables. These elements—and only these elements—lead to finding new ideas and solutions. No new types of resources or technologies are allowed to enter into the idea-generation process. Unknowingly, Shemer utilized the Closed World principle when inventing his product. As opposed to his unsuccessful attempts at using other plant-based materials, the secret to his success was manipulating elements within the two leading meat analog bases—soy and wheat proteins, resources already existing in the Closed World. One of the Closed World’s main benefits is that it relies solely on a company’s existing resources and knowledge base, providing a “leg-up” so that it needn’t start from scratch and can more readily assess the feasibility of the solution.

Shemer, as well as many other developers in parallel industries, realized in hindsight that he had been inventing by applying the Closed World principle all along. Had he realized what he was doing earlier, his development process would have cut down years of research, instead of happening by “accident,” during one of several dozen experiments. Once aware of the Closed World principle and the benefits it provides, Shemer learned a system to more proactively apply constraints to expedite product development processes.

Vegetable Dough Example

A prime example of this is Shemer’s leadership role in the development of Tivall’s latest award-winning product, a revolutionary vegetable dough (Figure 1). As Vice President of Strategic Innovation and R&D, he was assigned the task of innovating an existing Tivall product line: vegetable-filled pastries. Tivall’s core competency—its Closed World—is innovative uses of vegetable materials. With that in mind, Shemer’s rephrasing of his task was already half of the solution: To identify new ways to use vegetable elements in the pastries to generate an innovative food technology platform.

Utilizing his food technology knowledge, he was able to find a way to replace more than 85% of the flour in the product. The technology used to integrate the vegetables into the dough allowed for a completely new line of products consisting of puff pastry dough, yeast raised dough, and short dough, each of which can be made of different types of vegetables, including sweet potatoes, spinach, corn, and cauliflower. More benefits of this proprietary dough became apparent with the realization that it could also be marketed as a separate product for home cooking and baking. The vegetable dough was launched in 2005 and met with instant success. It won an award in the Savory Frozen Foods category at the 2006 Sial International Exhibition of Food Industry.

An Innovation Algorithm

While the Closed World principle identifies the resources that we are allowed to use (and those we are not), it does not dictate enough how to use these resources. This, another variety of constraint, needed to be formulated to guide the developer in a more systematic manner through the thinking process. The solution was found in a body of research begun by Genrich Altschuller, a naval engineer from the former Soviet Union, who studied thousands of patents and found that creative solutions share common patterns. Based on his research results, he developed a method that he called Theory of Inventive Problem Solving (TRIZ). His students later evolved the method into what is today called Systematic Inventive Thinking and expanded Altschuller’s pattern recognition into the field of product development. It is evident that inventors unknowingly follow patterns when coming up with product ideas. In essence, they impose on themselves thinking constraints that result in innovative outputs. A novice inventor would expect there to be dozens, even hundreds, of patterns that lead to inventions. This makes SIT’s findings that more than 70% of successful new products can be categorized according to only five patterns even more surprising. In contrast, fewer than 20% of unsuccessful product launches could be classified according to these same patterns (Goldenberg and Mazursky, 2002). The following are the five patterns in this approach:

• Subtraction. This pattern instructs the inventor to look at the Closed World and, as opposed to the conventional approach to new product development, subtract an essential element rather than add one. This constraint is unintuitive in two senses: first, we are not adding or improving something to create a new offering in the market; second, the subtracted element cannot be one that was originally detrimental (e.g., fat), but one that was thought to be essential, with no logical reason for being subtracted.

Examples of this pattern are largely seen in the “instant” product category, such as soups or cakes from which the liquid or eggs was subtracted. Although understandable today, it is easy to imagine the resistance to the concept of removing the water (essentially, the soup) from the soup when the idea was first proposed.

• Multiplication. While it is clear how subtracting something essential from a resource-base would be a strong constraint, with the Multiplication pattern it is less obvious. This pattern allows the technologist to add elements that were previously not available. Nevertheless, what is allowed to be added is highly constrained. This pattern is about adding one or more copies of an existing component in the product or system, and then modifying the copy so that it is different according to one of its original component parameters.

Pizza Hut’s Stuffed Crust Pizza is a good example. When looking to innovate pizzas, the most common path is to simply add a different type of topping or to change the organoleptic properties of one of the primary ingredients (e.g., the dough or sauce). However, the stuffed crust was a true innovation and example of Multiplication, since it added more of an existing component (the cheese), but changed its location on the diameter of the pizza (placing it inside the crust). The consumer benefit was readily apparent: the pizza eating experience now facilitated more cheese in every bite, especially toward the edge of the pie, where cheese is not typically sprinkled on top. Not surprisingly, when it was launched in 1995, it became one of Pizza Hut’s more successful products.

• Division. This pattern dictates that all product components remain and none are added, but several are reorganized in time or space. Thus, the product gestalt is broken, degrees of freedom are added to the thinking process, and the Closed World remains confined. This pattern is noticeable in a wide range of solutions for products suffering from short shelf life. Products such as Yakult and Actimel, including functional ingredients like probiotics, are healthy for consumption but have shelf life challenges because their potency deteriorates in a liquid medium.

The Swedish company BioGaia provided an innovative solution to lengthen the shelf life: separating (dividing) the probiotic culture from the yogurt. Its LifeTop straw supplies the consumer with Lactobacillus reuteri in each sip (or through a bolus during the first draft) through the straw instead of being mixed in with the yogurt. The straw allows yogurt producers to keep the probiotic ingredients dry, separate from the yogurt, until the actual time of consumption. The VIZcap™ (www.vizdrink.com) offers a similar solution in the vitamin-enhanced sport drink segment. The supplements are kept separated from the liquid by being stored in a sealed chamber inside the bottle cap. They are only added to the drink just prior to consumption, dropping into the liquid when the consumer twists the cap to open it.

 Attribute Dependency. This pattern relates to the attributes or variables that exist in the Closed World of the product. It involves the creation of new relationships between the variables of a product or its immediate environment. Attributes of a product (Figure 2) can be internal, such as its texture, color, fat content, and temperature; or external, such as consumer attributes (e.g., gender, age) or consumption attributes (e.g., consumption location, eating occasion, accompanying foods).

When SIT Ltd. was invited to conduct a project with Nestlé Corp., the chosen topic was flavor solutions. Salad dressings were chosen as the Closed World starting point for generating ideas. The internal attributes were systematically paired with external attributes to identify interesting new relationships. When working with “texture” and “accompanying foods,” the developers posited that the product’s texture can be changed according to the food on which it is being used. A list of typical accompanying foods was hastily created (e.g., lettuce, tomatoes, sandwiches, chips, burgers, etc.) to make the process as systematic as possible.

An idea began to emerge as the developers imagined a thicker-textured dressing for sandwich usage. Marketing saw the emerging opportunity and suggested that it could be a spreadable dressing for sandwiches, similar in texture to mustard or ketchup. To that point, people had been observed pouring Nestlé’s existing Thousand Island dressing onto their sandwich bread to add flavor, trading sogginess for taste. The spreadable solution would solve this contradiction. As a result, Nestlé launched in Israel a line of sandwich spreads, including Thousand Island and Garlic flavors, positioned for sandwich consumption (Figure 3).

• Task Unification. In this pattern, an additional task is given to an existing resource. This tool helps to eliminate “functional fixedness,” in which each component is seen to perform only one task and additional tasks require the addition of more components. The essence of this pattern is to view all of a product’s existing components as potential resources that function in more than one role.

Unilever’s Cornetto was originally manufactured by an Italian ice cream manufacturer, Spica, who in 1959 was able to solve the problem of marketing frozen ice cream cones. Until then, it was difficult to market frozen ice cream cones because the ice cream caused the cone to dampen over time. Spica overcame the problem by inventing a process in which the inside of the waffle cone is coated with a mixture of oil, sugar, and chocolate, insulating it from the ice cream. Oil, sugar, and chocolate had always been available resources in the Closed World of ice cream but had their own tasks of promoting either texture or flavor. Utilizing these same components for the purpose of insulation was considered a breakthrough. Today, we can witness several examples of chocolate coating inside non-frozen cones to prevent ice cream leakage during consumption.

A Systematic Approach

Combining the Closed World principle with the five patterns results in a much more structured approach, the SIT method (Figure 4). Let’s examine this approach through the process of vegetable dough invention:

First, the developers defined the Closed World of the product. They broke the product down to its fundamental components and identified available resources. These included the various types of vegetables used for the fillings, as well as dough ingredients such as flour and other grains, salt, sugar, vitamins, and packaging.

Second, they applied the task unification tool. They systematically examined each component to see whether its function could be performed by the vegetables or some elements of them. Scoping out the list of components, they considered their options for manipulation. Seeing that the vegetables already dominated the inside of the pastry, they asked themselves whether the vegetables could also take over the outside.

Third, they defined the “virtual product.” The team envisioned creating pastry dough out of vegetables.

Fourth, they identified needs, benefits, and markets. The market value of such a product was clear—it could offer high nutritional value with low caloric value and almost no saturated fats. As for its innovative appeal, the developers felt that a product like that could be the basis of an entire platform of product lines.

Fifth, they checked feasibility and identified challenges. After the team unsuccessfully s subtracted all the flour, several adaptations led to a final product that had only 15% the normal amount of flour in it. The remaining 85% was replaced by vegetables by extracting the starches and other constituents of the vegetable and using them to replace the starches of the dough.

Of course, this thinking process does not replace market testing. It is at this stage that we look outside our company—to the market—for inputs. Thus, marketing research remains an integral part of the innovation process, but it simply moves to a later stage. Companies no longer need to depend on the market to raise ideas for them—there is a structured, internal process for that. The research is there to validate and “tweak” the ideas to make the technologies as marketable as possible.

A Recipe for Success

The SIT process leads developers to innovative technological concepts that can surprise and delight the market. But, because of the constraints, the process also relies heavily on the existing knowledge base of the company, as represented by its food technologists. In fact, this is the very reason that SIT ideas—and new technology ideas in general—lead to differentiated products in the market. Instead of depending on information streaming in from the market—a source available to everyone—the ideas arise as a product of the company’s unique intellectual property, proprietary knowledge, and current resources. Developing new technologies in an efficient, structured manner, leading to differentiated, innovative products on the market is what we’d call a recipe for success.

BY YONI STERN, ROBYN TARAGIN, AND SHAHAR LARRY

Originally published FOOD TECHNOLOGY 10.07

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